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Chiesa parrocchiale di San Lorenzo, Varigotti

Chiesa parrocchiale di San Lorenzo, Varigotti historical timeline

Last updated on October 19, 2026
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This church is the second half of a move. For centuries Varigotti's parish was the old San Lorenzo on the promontory, built above a harbour that silted; as the village resettled on the western side of Punta Crena, the distance became impossible and a church was built where the people now were. What stands on the Aurelia today is that replacement, rebuilt in the Baroque century and still carrying the Gothic tower of its own first version. The old church is visible from it, up on the hill.

Chronology

  1. 1200s-1300s The population moves from the harbour area to the ground west of the Punta Crena promontory, where Varigotti stands today, and a new church of San Lorenzo is constituted for it, affiliated to the Pieve finalese — the old church above the port being by then far from the settlement.
  2. The first citations of the church date from this year. They are also the first notice of any church at Varigotti since the twelfth century, the record being silent in between.
  3. An original church is built, finished in 1585, which later becomes the canonica — the priest's house. The record attaches the present bell tower to this building, though elsewhere it attributes the tower to the church first cited in 1356.
  4. The polyptych of San Lorenzo is commissioned by the provost Pietro Averio with the massari Giorgio Mendari and Battista Mauri, whose names are written into its cartouche. It is still in the church.
  5. The present parish church is begun, and completed in 1637, to the design of the architect Andrea Storace. Its single nave, domed side chapel and banded facade are this campaign's, and they are what a visitor walks into.
  6. 17th c. Deep interventions through the century give the church its Baroque character, and a canvas of the Madonna del Rosario of this date is among the works it keeps.
  7. The polyptych is restored. It is the first conservation work on record here, and it is on the oldest dated object in the building.
  8. The polyptych is restored again. Two restorations in seventy years on one panel is a measure of how much of the church's value is concentrated in it.

What came with it and what stayed behind

The move from the promontory was not a clean replacement. The late Gothic bell tower came across — or rather stayed, since the new church was built around it — and it is the one piece of pre-Baroque fabric on the site. The old San Lorenzo did not come at all: it lost the parish, served as the cemetery chapel until the seventeenth century, took a bomb in the Second World War and was restored from 1995 with materials lifted by helicopter. Varigotti's monuments record dates the handover to 1586, which would place it between the 1578-1585 building and the 1624 one. The oratorio di Sant'Antonio Abate was added beside the new church, a few metres from the beach, and holds its confraternity; the painting it once carried above its entrance is completely erased. Nothing read for this page records war damage or structural failure to the parish church itself — the losses here are all on the hill.

Verified against Wikipedia, October 2026.