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The palace's pink-and-white marble facade is arranged in a geometric diaper pattern -- a lattice of diamond shapes rather than a flat wall -- giving it a light, almost textile-like appearance unusual for a building of its scale and political importance.
Its structure inverts the expected weight of a masonry building: an airy ground-floor loggia of pointed Gothic arches supports a second-floor gallery of smaller, more delicate arches, which in turn carries a solid, comparatively unornamented upper wall -- visually top-heavy, though it reads as balance rather than instability. The style blends Gothic tracery with Byzantine and Islamic-influenced detailing, a combination distinctive to Venice's position as a trading power between Europe and the Mediterranean's eastern shores.
Sculptural groups mark the facade's corners at the points where different building phases met -- the Judgment of Solomon, Adam and Eve, and the Drunkenness of Noah among them -- functioning as both decoration and a rough chronological record of the palace's construction.